A New Beginning

May 10, 2012

The blog is shifting. I think from now on this blog will be about Working Group, my partnership with Martin Andrews and Jennifer Fawcett (and a growing relationship with Kristy Hartsgrove, Tim Budd and Saffron Henke).

I’ve been really amazed with community of late- not the cancelled NBC show- but personal community. I think I have always looked for this. I am a private person. I’m friendly and I attempt charm but truth is it is hard to really get to know me. I’d say my wife and my best friend Matt are the only ppl who have really got to know me. Working Group has always been a goal toward that. People knowing me. Community. Great work and weekend BBBQ’s. I think I might have come into the American theatrical landscape late. Before the playwriting landscape was a prepping field for Showtime and HBO. Before agents had any say (playwriting agents? Sounds like bad accountant).

I always read books by Simon (eh his last name escapes me, he’s touring a show about Shakespeare right now) and I dreamt of Joint Stock and the RSC. I dreamed of repertory’s of people working together for years. I wanted to do that in America. But of course I’m not wealthy. I had no backers. All I had… was Iowa.

We had a weird confluence. Martin ANdrews was the best actor I knew. He had just had a child and instead of moving to Chicago for acting roles his wife and he decided to stay in Iowa for a bit. Saffron Henke had recently returned from multiple seasons at the Oregon Shakespeare Festival. Kristy Hartsgrove (which for casting folks out there- Kristy is better than your current go to comic actress) had just gotten an MFA and moved to Iowa as a regrouping effort after realizing she hated Chicago. We were all in Iowa. Suddenly. And we had the keys to a theater. Luckily, an NNPN theater and so we said. Let’s just make something legendary.

It seems arrogant but that was always the goal for me. Legendary. We are in year two we have not accomplished it yet. But without any support. Funding. Agents. Or anything else we have in 2 years:
- Produced 7 new plays (and co written an 8th)
- We had a playscript published in American Theater Magazine
- We were invited to Under the Radar’s speed dating event
- We toured the following DENALI (Actors Theatre of Grand Rapids; Riverside Theatre; Acorn Theatre; Know Theatre), JUST KIDS (Available light, Sandglass Theatre, Pontine Theatre), MAYBERRY (Hancher Auditorium; Bucksbaum Performing Arts Center; Iowa Arts Center), TOYMAKERS WAR (Riverside THeatre, University of Northern Iowa) and RUST (Acotrs Theatre of Grand Rapids and CSPS/Legion Arts).
- We’ve been commissioned by the National Performance Network, Hancher Auditorium and more.
- We have three full time employees.

And this is the list I can think of while sitting in my back yard playing catch with my dog. People, as I’ve lamented, give us shit about not being in a major city. But people are fucking stupid. Our work stands up against anything. That’s why it tours. that’s why Hancher has already commissioned us again.

My lovely wife has told me it’s time for us to get Thai Food.

A new beginning. This is what a theater life can be. More to come. More to see.

A lot of virtual ink has been spilled about the Guthrie and their season. Why anyone cares I don’t know. I guess that’s sacrilege but so what? The Guthrie’s an old theater with a lot of money. Is that why I should care? Not to be a d*** but I’m just not sure why I should care- and I’m not even being negative. I feel like when I would watch the Mets play and throw shit at the TV and my mom would say “why are you upset about Mo Vaughn? Mo Vaughn doesn’t care about you.”

And she was right. I haven’t watched sports the same since. Dowling doesn’t care about you. Maybe not even about an American theatrical legacy. But he’s not the only one. We’re at such an exciting moment theatrically. But waste our time writing about the Guthrie because, what? Teachers we once had told us it was important?

You should just say it once out loud. Guthrie I don’t care about you. It feels great. You can actually sub in any numbers of theater there. Trust me. It feels fantastic. Tell your friends. Go to dinner at your grandparents and say ” I don’t care about the Guthrie. Or any other bloated theater company grandma. I really don’t.”

I think a few years ago Isaac at Parabasis had some long post about how theater companies should say they’re like punk bands or whatever. I can’t really remember it. But Theaters would learn a lot more if they look at how the music industry changed and they should steal. Some of us already are. Back when I was in college there was a guy named Puffy. He was on a big Guthrie-esque record label and people thought what he was doing success so they wanted shiny suits and fish lens videos. But there were some kids in NY who said- this is idiotic. This is not art. They started Rawkus. Out West they started Solesides. In the Midwest Rhymesayers opened.

Basically, some dope motherfuckers opened their own labels in their town. Where they wanted to live and just said this shit is live. And we’re at that moment. Fuck the Capitol Records of the Theater World. Less ink for Guthrie or any of the other mega theaters that have like six lit managers and don’t do a single new play. Less ink for them and more for the ones tearing it up. The Available Lights, The Rubber Rep’s, the Tricklock’s (look it up), the Double Edge’s (respect the lineage) and so many more.

You make art or you make commerce. But thinking a specific marquee makes you a voice or necessity is just boring. And old. So many playwrights are trained, just as directors and actors, to think this is the only legitimate way to have a career. And we actively buy into it.

It’s basically just lame.

Go bump some Celph Titled and stop writing about stuff that doesn’t really matter.

A Company Man

26.04.2012

“They want you to be a mercenary. That way you don’t win the war. You just get to be the schlub who takes the bullets.” I bet you like Ian McKellan. Patrick Stewart too. Maybe Helen Mirren? Yeah I bet you think they’re good. Bet you think “man if I could be that good.” What [...]

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Already Home

20.04.2012

They want me to fall Fall from the top They want me to drop They want me to stop They want me to go I’m already gone The shit that I’m on I’m already home… I’m Already Home

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I’m gonna die

07.04.2012

I was asked by an actor today why I’m always working? Why I’m always writing something, why even in rehearsals, I’m creating something on the breaks… And I told him. “Because I’m gonna die.” I’m always aware I am going to die. I think about this all the time. Death is the weird thing that [...]

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@DDOWER— No Duncan To Slay

23.03.2012

I’ve laid low in this conversation because of so much- not confliction- maybe annoyance. My last piece I posited the “I am a monologist, who has also worked at TAL” to give insight to the vetting process at the show. David mentioned the standing ovation at g’town for Daisey’s response- something bothered me more. In- [...]

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DAISEY IN A FIELD

18.03.2012

I am a monologist. I have had a story on This American Life. My monologues are first hand accounts of time spent working and visiting prisons or going to post Genocide Rwanda. Some of the work in my pieces can be frustrating to an audience because the answers to the questions raised (how do we [...]

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A NEW SOLO- NPR FANS

28.02.2012

So those who loved my story on THIS AMERICAN LIFE, I got some news… http://www.thisamericanlife.org/radio-archives/episode/425/slow-to-react?act=2 I will be doing a full length version of ISN’T IT SLO MANTIC next year on tour. For producers visiting here’s some more storytelling. So book away. Fun love stories of international intrigue…

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Follow Where the Money Go

28.02.2012

Fact. My most popular blog posts: all up with people, the artist overcoming the personal and external issues holding them down. Yay romanticism! Fact. My least viewed and commented posts? Anything mentioning the word class. Hahahaha. So we’ve got the play system. We’ve got the development system. We’ve got the MFA system and we agree [...]

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Horton Part Two: On Communication and Generosity

22.02.2012

I woke up this morning with a message from Mary at the Horton Foote Prize. She had read my recent post and (amazingly wasn’t mad) wanted to talk. This is the amazing thing of the internet. Suddenly, an issue of communication and clarification was being handled directly between people involved. Mary is herself a playwright. [...]

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